Sunday, 23 February 2014

Nemesis : Comic Panel Analysis

Comic Title: Nemesis

"the inescapable agent of someone's or something's downfall"

Publisher : Icon Comics

Format : Limited Series (Meaning that there was a set number of installments.)

Genre : Superhero

Publication : May - December 2010

Number of issues : 4

Writer : Mark Millar (Also known for "Superman: Red Son", "Civil War", "Wanted" and "Kick-Ass)

Artist : Steve McNiven 

Summary

"What if Batman was the Joker?"

To summarize, Nemesis is a super villain causing death and chaos in the world, Killing police chiefs for fun. Now police chief Morrow has caught the eye of Nemesis. Nemesis views him as a worthy opponent. Nemesis travels to Washington and proceeds to cause terror. While chief Morrow tries to stop him. Whenever things seem to be going wrong for Nemesis it later becomes apparent that it was all apart of his plan.


Main Characters

Nemesis, the main character and the villain of the piece.  

Police chief Morrow.

Scene

Issue 02
 The Pentagon

Characters in Scene

Police Chief Morrow, seems to be run down, he has red lower eye lids.
9 Others at the board table
Secretary
Among the 9 
we have the head of Homeland Security, who is balding, with glasses and makes me think of Dick Cheney.
 and an army general. 

Setting 

The Pentagon Washington America in  a Board room at a table.
We are told that the "Post-Katrina National Incident management system" has been put in to operation. 

There is a power struggle occurring within this scene between the characters of police chief Morrow and the head of homeland security.
They are fighting among themselves for power rather then dealing with the immanent threat.

Mise-en-scene 

At the Pentagon we have bushes, roads and a car park. 
In the board room we have a T.V, chairs, a desk, a cabinet, a board, note book folders, laptops, espressos and a coffee machine.

Camera Work

Establishing shot of the pentagon.

Establishing shot of the board room.

Wide angled shot moving in on police chief Morrow at the top of the table in discussion with the head of Homeland Security. 

Close up on police chief Morrow from the same angle as in the previous panel. 

Cuts to a close up of the head of Homeland Security from the angle of Morrows vision. 

Dialogue

Filled with swearing "bitch" and "asshole"
The head of homeland security is gets angry that the police chief is stepping in his territory.

Thursday, 20 February 2014

Sound Design Back To The Future

00:00- Backround music is playing 1950’s pop music accompanied by the sound of a resteraunt full of teengers.

00:01- George “Lou , get me a milk”

00:03- He slaps the table.

00:05- “Chocolate!” Sliding noise as glass is passed up counter

00:06- Milk hitting his hand and makes glurp noise.
          
00:07- he drinks the Milkshake

00:08- slams glass back on counter

00:09- wrings out hand

00:10- Wipes mouth with right hand

00:11- Wipes mouth with left hand

00:12- moves away from counter and wrings out both hands

00:13- shot changes just after reaching 13 secounds, male in booth before Elaines orders a cherry coke “and a cherry coke”.

00:14- As george gets closer to the girls booth we hear their voices getting louder.

00:16- the camera gets closer up to this point, voices getting closer.

00:17- 00:22- crowds voices.

00:22- George speaks to Elaine- “Elaine” he exclaims.

00:23-00:27 - George- “My density has popped me to you”

00:28- Elaine- “What?”

00:30- George- “Oh”

00:31-00:34 - George- “What I ment to say was”

00:34-00:36 Elaine- “wait a minute don’t I know you from somewhere?”
00:38- Marty puts coke bottle down on counter.

00:39- 00:50- George “ yes”, “I’m George”, “I’m George McFly”, “And Im your density”, “...I mean” “your destiny”.

00:52- Lorraine- “oooh!”

00:53- Biff “hey McFly!”

00:55-  Door closes and scene ends.`

Monday, 17 February 2014

The Screwfly Solution

The Screwfly Solution
Author Raccoona Sheldon or James Tiptree, Jr.
Language English
Genre Science fiction/ horror
June 1977
Originally printed in a magazine
Other works " "Birth of a Salesman" "The Last Flight of Doctor Ain" "A Momentary Taste of Being", "Love Is the Plan the Plan Is Death"

I found this difficult to read. I feel the manner in which the story was presented was phrased awkwardly.
 I found it unnatural. This is my own problem of course. 

 Important plot points flew over my head, such as the murder and suicide by the character Alan. It was only later reading a summary did I find out what had happened.
I got that the story had interwoven the similarity between humans messing with the screwflys reproductive cycle and the aliens or angels messing with the human reproductive cycle. 

The story itself is interesting. The idea of instinct v.s. morals and how would we react. Raccoona has men validating there actions through religious means.

"I ripped that page out of Amy's diary when I heard the squad car coming. I never opened her diary before but when I found she'd gone I looked …" I find these sentences to be awkward to read the first part is grand and understandable. The second half of the sentence seems unnecessary, although now i see it was to indicate that she was gone.  

" Oh, my darling little girl. She went to him, my little girl, my poor little fool child. Maybe if I'd taken time to explain, maybe— 
Excuse me, Barney. The stuff is wearing off, the shots they gave me. I didn't feel anything. I mean, I knew somebody's daughter went to see her father and he killed her. And cut his throat. But it didn't mean anything. 

Alan's note, they gave me that but then they took it away. Why did they have to do that? His last handwriting, the last words he wrote before his hand picked up the, before he"

What happened isn't said it implied and i couldn't follow it. This is probably due to my difficulties in this medium. 

Sunday, 9 February 2014

Fight Club Scene Analysis

Fight Club (1999) is brought to us by the director David Fincher, whose work includes the movies Seven, The Social Network and The Girl with the Dragon Tattoo. It is based on the novel with the same name by Chuck Palahniuk.

Summary

Fight Club revolves around an unnamed male suffering from insomnia. A tragic turn of events leads to a new friendship with the quirky character Tyler Durden. The two set up an under ground fighting club that chaotically transforms into something much more.

Main Characters

 The main characters of Fight Club are:
Tyler Durden played by Brad Pitt
The Narrator played by Edward Norton
Marla Singer "              " Helena Bonham Carter

Scene

The scene I have choose to analyse occurs at 1:48:08 and ends at 1:50:28. The scene is about the narrator looking for Tyler Durden.

Characters

The Narrator who's trying to find Tyler.
Detective Stern who wants to talk with the Narrator. 
Background People.
Bartender with a plaster on his face indicating his is in a fight club.
Men at bar.
Laundry Man who wants to keep the rules of fight club.
Men fighting on the street.
Two men in a bar restaurant. One in white and blonde, the other is black and dark haired with a plaster on his face. They want to know if the rumors are true and if Tyler Durden is really building an army. 

Setting

This scene is set in multiply location as its a montage.
Tylers house on paper street.
Police office.
Runway
In a plane
Arrivals in an Airport.
Boarding
Side of street.
Bar.
Taxi.
Launderette.
City from above.
Car park.
Airport renta car
Side of the street (fighting)
Bar restaurant.
Escalator
Basement.

Mise-en-scene

Tickets,bow-tie,bobbles,pencil to make it seem like a cupboard.
Teacup, mold, cracked paint.
In the police office we have a window in the back with shades and some one in the back offices walking past. Gives the feel of a real office.
Plane inside is an actual plane inside. passenger has a napkin on.
In Airport arrival, other people with bags and theres the air hostess and the pilot.
In the first Bar, we have beer,ashtrays, beer on tap, Adverts, neon signs, dart boards, arcade machines and pictures.
In the launderette we have clothes on hangers, steam, rails, sign on window, leaflets and knickknacks on desk.
in the Airports 123 rent a car we have a cars available sign, a phone and a computer. 
In the bar restaurant, we have other people talking and drinking. We have beer, condiments, a glass, weird lamp and its dark.
in the side Alley we have rubbish, puddles,steam and bins.
In the basement we have a brick wall, rusted steel supports and pipes. 
In the bar restaurant we have a man cleaning floors , chairs on tables, TV, pictures, map and bottles of whiskey. 

Camera Work

Starts with a close-up on the drawer. 
Cuts to Narrator looking at tickets.
Cuts to fixed angle of tickets in hand.
Cuts to show him looking at tickets.
Cuts to fixed angle of close up on tickets.
Cuts to show him as phone rings.
Cuts to phone on the ground.
Cuts to Narrator picking up phone camera follows narrator.
Cuts to Detective on the other end of the phone, he swirls around in a swivel chair as if to introduce himself to the viewer while saying who he is.
 I believe the director used all the cut jumps in the beginning of this scene to produce a sense of urgency. 

Cuts back to the narrator on the phone. The camera pans down as the character goes to slam the phone down. The camera cuts to the phone as the character slams the phone down.
Cuts to an airplane flying off at a tilted angle to inform the viewer what is now happening in a way that makes it seem unhinged. 
Cuts to inside the plane and zooms in and i think pans towards the narrator but i'm not a hundred percent certain on the the panning towards. 
As he is running through arrivals in the airport the camera pans diagonally down.
Cuts to plane landing.
Cuts to plane taking off to the left hand side of the screen.
Cuts to a man walking past up close to the left hand side of the screen. This transition allows the movement of the previous scenes plane to transition into the up close mans movement.
Cuts to a tilted shot of him trying to get into a taxi.
Cuts to plane landing.
Cuts to narrator getting into Taxi.
Cuts to Bar, fixed shot showing the man behind the bar and two others at the bar.
Cuts to behind the guys at the bar and shows the narrator talking to them.
Cuts back to the people at the bar.
Cuts to a eye level close up on the narrator.
Cuts back to the people at the bar.
Cuts back to the close up on the narrator.
Cuts to plane landing.
Cuts to an eye level shot of the narrator walking through the airport from panning to the right with objects obstruction the viewer from time to time.
Cuts to planes taking off and landing.
Cuts to narrator leaving airport.
Cuts to a shot above a city.
Cuts to a low angle shot of the narrator calling for a taxi as a  plane takes off above him.
Cuts to a first person perspective of a taxi man as he refuses a ride to the narrator.
Cuts to an over the shoulder shots to indicate who is talking in the conversation taking place between the narrator and the laundry man.
The narrator is on the left hand side and the laundry man is situated on the right hand side during the conversation sequence.
1st person of the narrator.
A fixed shot shows the narrator running to board a plane. A bus passes in-front going left and the camera cuts to the narrator on a bus up close going right. The camera cuts back to the narrator boarding the plane as another object was passing the camera going left again.Another object the appears going right and the camera cuts to a panning close up on the wheels of a plane traveling right. This right traveling pan is then transferred in to the next shot in the bar restaurant where the camera pans right to rest with an over the narrators shoulder shot of the conversation with two member of a fight club.
Camera cuts to the narrator and then back to the over the shoulder shot.
In the next airplane scene, there are two shots layer over one another. The narrator is on the sitting in the airplane and there can be seen an aerial view of a city through the plan. the aerial view of the city is moving in the opposite direction to the direction the narrator is seated on the plane giving the illusion of movement.

Sound and Music

Noise of project Mayhem downstairs, people shouting
Hitting the tickets
door slamming
tickets moving
telephone ringing
noise of picking up the telephone
Chanting slowed down
Jets
planes taking off
Airpot crowd noise
telecom
Music of guitar playing, is kinda exciting in a funny way, it gets the heart beating.
Narration
Beeping of cars
Taxi door closing
Walking
Chairs moving
Drinks being placed on a table
A bowling noise?
Music stopped
Music kicks back off again as if re-winded and the music sounds as if it was laughing  at the narrators circumstance.
Woman giving out to narrator "Hey"
Slight honking
Cars passing
The honking of the cars tying in with the trumpets in the music of the scene
People grunting while fighting.
Bus passing
Wheels of plane landing
Cutlery hitting plates
Flying noise inside plane
Heavy metal doors closing
People shouting at each other in an echoing room, fighting then fades out.
Music dies down during talking scenes



What did you appreciate? 
The irony of the whole movie on second veiwing.
I really enjoyed the formating of the story telling. 
The filming and the transitioning. 
The film is very close to the book, apart for the changing of the end story. I found no problem with the film changing the end.

What didn’t you like?
I think I heard a bowling noise in the first bar he enters durring the scene i choose to analyse it seemed out of place. In the begining of the movie when the narrator is explaining the the buildings are rigged to blow the camera travels in to the ground below the very building he is in implying that his building is going to blow up which doesn't happen. 

The irony almost becomes to much on repeated viewings, with this said i still wouldn't change it. 


Saturday, 8 February 2014

Script

Opening

1.There is a photo of a happy couple beside a bed. In the bed are said happy couple. They are asleep.

2. An alarm goes off and Tom reluctantly turns it off.  Tom is still for a moment as he gathers his surroundings.

3.His eyes catch the photograph, he is overcome with a pained smile. He slowly goes to look to his partner but stops halfway. He as "Hey Marguerite, its 7:00am come on get up your going to be late."

4. She does not respond and remains completely silent lying in bed with her face hidden from the camera.

5. Tom gets up out of bed and starts going through his morning routine of getting changed and brushing his teeth. He speaks to Marguerite again. "I think you should know that I might be getting that promotion today."

6. Marguerite continues to lie there silent and still.

7. Tom : "I really wish you'd get up but hey listen I have to go but I have a feeling I will be seeing you later."

8.He leaves the bedroom.

Journey

1. We see Tom exciting a door reminiscent of De Koonings Door to the Rive 1960


2. He walks down a stairs and out a gate. He walks past strange deformed individuals screaming,crying,laughing.

3. He gets to the Bridge.


Bridge


1. He slowly hosts him self onto the wall of the bridge.

2. He looks down below him at the river and talks to himself. "I want to be with you again." "I can't take the pain anymore."

3. Everything gets very tense and the scene fades out to black.


Bedroom

1. Tom opens the door to the bedroom.

2.he comes in and sits down on the bed all the while making sure not to look at Marguerite. He waits a while.

3. The he turns and looks to her but shes not there.

4. Tom crys.

Thursday, 6 February 2014

New poster


Treatment File : Love Birds / Promotion

Concept / Narrative

The animation takes place in a strange disturbing world. It begins slow paced with a couple in bed, a man and a woman, Tom and Marguerite to be exact. Tom gets up, Marguerite does not. Tom starts talking to Marguerite, he mentions that today he might get a promotion all the while not looking at her. Marguerite is eerily still and quite throughout the whole scene. Tom leaves the bedroom. As Tom travels to the bridge the mood of the piece becomes increasingly tense. He encounters distressing individuals along the streets shouting in comprehensible gibberish. Finally a midst the distress Tom finds himself at his destination. He stands on the edge of the bridge. The music builds and the piece reaches its climax. The screen cuts to black. The viewer is left with a silent black screen for a brief moment, until the shape of a door fades on screen. The door opens casting light into the dark bedroom room. It's Tom he looks sad. The pace is now slower then it was in the beginning. Tom tells Marguerite he didn't get the promotion and that he is sorry. There is dead silence as he looks over to her and she fades away. Tom begins to cry. The scene fades out to black.  

The story is about a man and a woman. Tom and Marguerite. Marguerite is dead. Tom misses Marguerite. Tom hasn't truly come to terms with Marguerite's death and pretends she's still there talking aloud to himself all the while careful not to ruin the illusion by looking directly at her. Tom leaves with the intentions of committing suicide. As Tom travels to the bridge he passes disturbing individuals. Tom stands at the Bridge considering suicide. He doesn't jump. He comes home and is ashamed. He looks directly at Marguerite and she disappears. 

My story has been inspired by "Cowboy Beebop : Knockin on Heaven's Door"
 Visually it's inspired by the art work of the artists Rothko, De Kooning and Franz Kline. 

A slow paced animation that starts eerily, begins building with tension to the point that it spirals out of control at the climax only to return with a haunting silence that is filled with sobbing at end. 


Technique & Approach

This animation will require a multifaceted approach. I plan for it to use vector based graphics. I will paint the characters and backgrounds loosely in watercolour and scan them. Once on the computer I will gesturally draw over my characters, and I will precisely draw outlines over my environment, using a tablet. Texture of wrinkled sheets of paper shall be applied to the background. Wrinkled textural quality of the backgrounds shall increase and decrease depending on the tension within the piece. Similar to the artist Daisuke Yokota. 

Applying sound shall be done in audition and I will compile my animation in adobe after effects. 

Aesthetic / Mood Board

Drawing from the modern artists Rothko, De Kooning and Franz Kline I hope to create a chaotic world filled with existential angst.

The colour of the piece is taken from the works by Rothko. As it is rather draining and unsettling. 

Marguerites character is pale and dark as she is devoid of life. When in the bedroom Marguerite shall be the single point perspective of the scene to make the viewer uneasy. 

The characters will be messy and chaotic to depict the internal struggle. Disturbed, shape shifting and expressionistic individuals rather like the work of De Kooning, screaming and moaning gibberish, to highlight the lack of meaning and absurd nature of the world around Tom. The main character Tom will remain rather consistent throughout the animation. 

 The piece has a mood of increasing tension, various degrees of crumbled paper used as a texture shall indicate this. 

Audio

It starts in silence, the man wakes up and begins his dialogue with his wife. When he leaves the bedroom, howling winds, and rain can be heard. 
Screeching, Screaming, shouting, crying , ranting, laughing and gibberish make up the outside worlds soundscapes. These noises are distorted, echoed or backwards at times. Similar to the movie "Fantastic Planet".  
 The music will be similar to that of the music in "2001 A Space Odyssey" when the monolith is discovered on the moon. 
To end there will be sobbing and silence. 


Sequence of Events / Shot List

The piece begins as a close up on a photograph of a happy couple the camera pans out to reveal said couple in bed. The camera stays fixed on the bed but ever pulling back as Tom gets up and prepared for his day. The scene is set up so that all the angles are pointing towards Marguerite. As Tom leaves he turns off the light causing the room to turn black. The camera pulls out off Toms black core to his body as he walks down the stairs this shall be a static shot.  Tom walks along outside this is again another static shot. Now have various scene of Tom encountering  screaming individuals. This shall be shot between a mixture of close up shots cutting between Tom and the disturbed individuals. Tom will be made to look small through forced perspective. and the camera will be jittery. Tom walks on and gets to the bridge. He hosts himself up onto the ledge and he considers jumping. The camera will preform a dolly zoom and continue to zoom in onto his head into black, this transitions into the next scene. The next scene being the dark bed room the camera is facing the door and Tom opens and enters. The camera pulls back from door revealing Tom  looking to Marguerite and fades out to black. 




Look and Feel


Abstract body parts by Aurora Del Rio.
The people shall be watercolour painted .

Untitled, 1948 Willem de Kooning
The people will also be outlined gesturally like this.



Door to the River - Willem de Kooning, 1960
The solid land scape shall mimic this style.

from the series Fossil, 2009
The sky and water shall be textured using crumbled paper.




Mood Board

Black in Deep Red, Mark Rothko, 1957.
Powerfully dark and draining. There's a sense of  hopelessness and pain

Mark Rothko, Green Over Blue, 1956.
Cold Loneliness. 

1952-A - Clyfford Still, 1952

Alkama Frédéric Fontenoy

Setting

Clyfford Still- 1957-D, No. 1  1957

Double-decker smear ~ Westminster Bridge, London ~ Sony NEX-7 ~ ⅓ sec at f/14 18 mm 400 ISO by Jacob Joyner. 



Door to the River - Willem de Kooning, 1960 This will also be the Door out go the bedroom as it is suitably named.








Wednesday, 5 February 2014

Reconnaissance : Love Birds


 

 











My story currently is constantly changing, it has gone from a comedy to a creepy and confusing tragedy.